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On Directing Film

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A masterclass on the art of directing from the Pulitzer Prize-winning (and Oscar and Tony-nominated) writer of Glengarry Glen Ross, Speed the Plow, The Verdict, and Wag the Dog

Directors may be employed by TV broadcasters, film or television production companies, or work on a freelance basis. WatchHumphrey Bogart nodding to the orchestra to play Le Marseilles in Casablanca was a great moment because of the editing within the context of the scene, not because of his performance.

The first assessment should always be, "what am I trying to visualize?" What feeling, thematic message, or experience do I need to create to make my point clear and effectual. While Gerwig is relatively new to the industry as a director, screenplays and directing style have already secured their place in Hollywood history. Today, AFI maintains its title as one of the best film schools in the world. The level of talent the school draws is unparalleled.It’s not the favored subject of filmmakers and it’s not the sexiest as far as the best books on filmmaking go. But knowing the business of filmmaking is essential and this book does a great job of getting you up to scratch. Landry and Greenwald walk you through a practical, hands-on guide to the business of filmmaking. They cover everything from exploring development, production, financing, distribution, various business models, to marketing, platform delivery, film festival, and accounting…you name it, it’s in here. You’ll find detailed case studies from projects with different budgets and markets that illustrate the points nicely, accompanied by charts and graphics. Cinema is an artistic language of great relevance to the world, much has been said through it. Who hasn’t had a great film as an inspiration for life? In it lies its beauty and power, because it also has the capacity to reach a great number of people. David Mamet at this point in his life, after his second film, had discovered what makes bad films nauseating (Big Studio and Art Film alike) and it was not following the simple principle of knowing what the scene is about, and choosing shots based on the simplest way to convey the idea. He is right. But that is not the highest technique you can master, that is the bare minimum requirement for making a film, just like making a vague bowl shape is kinda the bare minimum for doing pottery. It's after that point, fulfilling the bare minimum of your craft, that you must get creative, and you must take a risk by stepping into the unknown.

Give specific instructions. This is for the actors. If you've explained the subtext to your actors and your vision for the film, there shouldn't be too much of a problem of them doing what they need to do in their scenes, but it is important that you give specific instructions, even ones like "try that line again faster." I like this point, but I also like movies like My Dinner With Andre and Whit Stillman's Metropolitan, where meandering dialogue and unfocused narration are sort of the point, telling messy stories that don't really go anywhere and don't need to. I also think Mamet's films, unlike his plays, are mostly mediocre, though understanding his outlook on directing helps me appreciate works like his confusing, amateurish-feeling Red Belt at least a little more. Though, that still doesn't make them any more fun to watch. His style of stripping the film of all narrative does have the effect of producing plots that have an element of mystery--you get only the barest essentials of character introductions and scenarios, leaving you confused but intrigued. Trouble is, his attempts to bring it around always seem to result in heavy-handed last-minute plot twists that don't even make much sense since you don't know enough about the situation to understand their import. Report highlights importance of children's TV ScreenSkills’ Children’s TV Skills Fund survey shows overwhelming support for the provision of children’s programming for the UK audience.As American art director Paul Rand once said, “You will learn most things by looking, but reading gives understanding.” As for Spielberg? He has a great quote, too: “Only a generation of readers will spawn a generation of writers.” At the beginning of the fall of 1969, the former Center for Advanced Film Studies opened its doors as the American Film Institute. Suppose you can specialize your video production company (or your freelance filmmaking career) in a particular niche market. In that case, it's easier for clients to find you and label you as the best possible expert to help them solve their problems—bringing their ideas visually to life!

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